February 23, 2019 ~ Shabbat KI TISA. Maqam HIJAZ.
Hakham Hazzan Mordekhai Claude Nadaf was a hazzanut and tefilah teacher at the Yeshivah of Flatbush Elementary School. His work of teacher the 6th, 7th and 8th grade Sephardic Boys Minyan is imperative to the continuation of hazzanut in our community.
He was also formerly the Torah reader in Congregation Bnai Yosef and a loyal student to H Gabriel A Shrem.
| Section | Pizmon | Page | Song | Commentary | Recordings | Application |
|---|---|---|---|---|---|---|
| Baqashot | 64 | 71 | כל ברואי מעלה ומטה |  Shelomo Ibn Gabirol Maqam Sigah Sigah. A Z Idelsohn notes, 1923 |
M. Nadaf- Selihot tune |
שמחים |
| Baqashot | 65 | 72 | יה אל גדול ונאדר | Raphael Tabbush Maqam Saba This pizmon first appeared in Tabbush's 1888 pizmonim book. It is listed as Maqam Hijaz. It was written in honour of H Yaaqob Barzani. Saba. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
M. Nadaf |
שמחים |
| Ajam | 235 | 187 | מי זאת הנשקפה | Moses Ashear Its melody is taken from the Neapolitan song "Santa Lucia", by Teodoro Cottrau, Written in honor of the birth of a baby girl. The text begins with a paraphrase of Song of Songs 6:10: "Who is she that shines through like dawn, tired. She is radiant and beautiful, the pleasing daughter of Zion." Written for Hebrat Qadimah which was a Zionistic society as the words of the song clearly indicate and not a community synagogue. Ashear wrote this song before 1928. Ashear Manuscript |
M. Nadaf |
שמחים |
| Ajam | 250 | 199 | אל מול דביר אשתחוה | Moses Ashear Wedding of Abraham Moshe Cohen; April 2, 1940. Abdel Wahab song is called "Yadi El Na3eem". Leaflet |
M. Nadaf M. Nadaf 2 |
קדיש |
| Ajam | 251 | 200 | אתה צורי | Moses Ashear Wedding of Saul Sedaqa Ashkenazi; January 21, 1934. Melody of Syrian National anthem. Leaflet |
M. Nadaf |
|
| Ajam | 252 | 202 | שירו שירה חדשה | Ezekiel Hai Albeg Inauguration of Ahi Ezer Synagogue. Written in honor of H Murad Maslaton. Congregation Ahi Ezer |
M. Nadaf |
|
| Ajam | 254 | 203 | יאריך ימים על ממלכתו | ישראל בן משה Shabbat Shofetim, because it mentions the blessing of longevity for a new king. Attiah Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript |
M. Nadaf |
נשמת |
| Rast | 254.4 | 204 | הללי תשמע | Ezra Mishaniye Written in honor of birth of Joseph Yehudah Levy; March 27, 1952. Leaflet |
M. Nadaf |
|
| Bayat | 309 | 242 | אני אגיד בקהל עם זו |  Arabic: Ahd El Ekhewwa. DOR in Maqam Bayat. |
M. Nadaf |
|
| Bayat | 314 | 244 | היכלו היכלו | Raphael Tabbush Hanukkah. Thanking God for the deliverence against the enemies. Like "Al Hanissim", this song opens and closes with the Beit Hamikdash. This song also mentions Matityahu and the lighting of the Menora. Hamaoui Manuscript Tabbush Manuscript A Z Idelsohn notes, 1923 |
M. Nadaf |
|
| Bayat | 344 | 264 | מענה לשון | Moses Ashear Safdieh. Ashear Manuscript |
M. Nadaf |
הללויה |
| Bayat | 349 | 267 | הודך | Moses Ashear Wedding of Ezra S Tawil. Song is a mixture of Bayat and Hijaz. Ashear Manuscript |
M. Nadaf |
נקדישך |
| Bayat | 356 | 274 | אל חי שוכן | Moses Ashear Maqam Kourd Paragraph 1 can be applied to El Hahodaot and Paragraph 3 can be applied to Qaddish. Appropriate for Shabbat Re'eh. Arabic is sung by Daoud Hosni. Ashear Manuscript |
M. Nadaf |
שמחים |
| Bayat | 378 | 299 | מה נעימה ויפה | Moses Ashear Husney Bar Misvah; 8/29/1935. Starts Bayat and switches to Hijaz. Leaflet |
M. Nadaf |
פזמון |
| Bayat | 387 | 311 | יה אל הבט למענה | Ezekiel Dweck Written during the time of the Holocaust. Shrem Manuscript |
M. Nadaf M. Nadaf 2 |
קדיש |
| Bayat | 390 | 316 | יובילני |
M. Nadaf M. Nadaf - Halleluya M. Nadaf - Halleluya 2 |
הללויה | |
| Mehayar-Bayat | 399 | 325 | מראשית כל | Moses Ashear Harari wedding. Ashear Manuscript |
M. Nadaf |
קדיש |
| Saba | 458 | 380 | יחיש מבשר | Mentions Eliahou HaNavi. Related to Passover. Arabic title is Ya'ish WeYe'shaq Qalbi, sung here by Sheikh Yousef El Manyalawi. Ashear used it for Qadish for NASO in 1937 & 1938) |
M. Nadaf |
נשמת |
| Saba | 481 | 397 | יה אל גדול ונאדר | Tu Bishvat/ Baqashot. The text of this song has nothing to do with Tu Bishvat except for the references to inviting guests to eat different fruits. The reason why this tune is used for Tu Bishvat is based on a Judeo-Arabic song with the same tune as this. Tabbush Manuscript |
M. Nadaf |
שמחים |
| Saba | 509 | 425 | אל מוכתר בכתר | Moses Ashear פיוט על סדר אלף בית אומרה- Alludes to 10 Sefirot. Ashear applies this tune often to Naqdishakh. Ashear Manuscript |
M. Nadaf |
נשמת |
| Saba | 512 | 428 | יה מוראך בי | Ezra Mishaniye Bar Misvah. |
M. Nadaf - Qaddish M. Nadaf - Qaddish 2 |
קדיש |
| Awj-Oj | 514 | 430 | אל פקוד עמך | Raphael Tabbush El Füad Habaq - Amal Hussein. |
M. Nadaf |
נקדישך |
| Sigah | 516 | 433 | נבחר בידיד | Nissim Lopez Shabbat Vayishlah. |
M. Nadaf |
נשמת |
| Sigah | 522 | 438 | מלך רם ונשא | Moshe Ashkenazi Tabbush Manuscript |
M. Nadaf |
פזמון |
| Sigah | 530 | 444 | דבר סתר גל | Raphael Tabbush Maqam Rast |
M. Nadaf |
ה' מלך |
| Sigah | 543 | 451 | שוכן רומה | Rosh Hashana. |
M. Nadaf |
|
| Hijaz | 582 | 483 | יחיד נא | Raphael Tabbush The initials at the beginning of each stanza form the acrostic 'Refael'. Tabbush Manuscript |
M. Nadaf |
אל ההודאות |
| Hijaz | 583 | 484 | מהונך תעשר | Tabbush Manuscript |
M. Nadaf |
|
| Hijaz | 584 | 484 | אתוהי כמה רברבין | The first words of this pizmon are from Daniel 3:33. After seeing how God saved Hananiah, Mishael & Azariah from the furnace into which he had thrown them, Nebuchadnezzar praised God, 'How great are His signs! How mighty are his wonders! His kingdom is an everlasting kingdom, and His dominion is over every generation!' So too do the heavenly hosts praise Hashem above, but only after Israel declares His praise below, as the Talmud states (Hullin 91b) "The ministering angels do not sing praises above until Israel begins below". M. Nadaf |
M. Nadaf |
נשמת |
| Hijaz | 600 | 497 | יחיד מלך נאמן | Moses Ashear Wedding. Ashear Manuscript |
M. Nadaf M. Nadaf 2 |
שמחים |
| Hijaz | 611.3 | 509c | כנר על הגג |
M. Nadaf |
||
| 2193 | 74 | קדיש | Maqam Baqashot |
M. Nadaf- Bayat M. Nadaf- Bayat- "Gahla" |
