Ajam - عجم

Introduction

עג'אם / עג'ם - This maqam originated and is named after Persia (Iran), which translates to Ajam in Arabic.

Ajam means "foreigner" in Arabic... Typically referring to the Persians.

Ajam is the Arabic equivalent of the Western Major scale.

This maqam is linked with festivity and joy, and therefore, it contains many pizmonim that are associated with holidays and weddings.

Ajam trichord: starting on B.

Index of Pizmonim

Section	Pizmon	Page	Song	Commentary	Recordings	Application
Baqashot	37	45	מלא פי שירה	Raphael Tabbush Ajam. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917	Archives Yosef Hamaoui I. Cabasso G. Shrem G. Shrem Ohabe Zion 1960 D Tawil- Nishmat Moshe Dwek - Qaddish Moshe Dwek - Qaddish , Rau Banim	נקדישך
	105.1		אפטיר שפה שחר עיפה	Petiha
Ajam	200.5	165	פזמונים במקאם עג'ם		Assorted Songs
Ajam	201	165	ישא ברכה	Raphael Tabbush This pizmon (AJAM, page 165) is composed by H Raphael Antebi Tabbush in honor of the installation of Rabbi Yaaqob Shaul Elyashar (Safed, 1817- Jerusalem, 1906) as the new Rishon LeSion (Sephardic Chief Rabbi) in 1893. The debut of this special song took place at the Rabbi Yohanan Ben Zakai synagogue in the Old City of Jerusalem by two choirs of boys (one from the Talmud Torah Doresh Zion and the other from the yeshiva Tiferet Yerushalayim) under the direction of H Raphael Tabbush. At the end of the performance, the Chief Rabbi thanked H Tabbush greatly and as a token of his gratitude, gave him 3 napoleon gold coins; hence the song became referred to as the "Golden Song". The title of this song "Yisa Berakha" refers to the abbreviation of Rabbi Elyashar's name (יש״א), and the acrostic of the four stanzas of this song is Yaaqob (יעקב); a reference to his first name. The melody of this song can be applied to Nishmat on weeks of Maqam AJAM, and is specifically associated with Shabbat Shofetim due to the Deuteronomy 17:20 reference of "Ya'arikh Yamim Al Mamlakhto" (translated as "long days for his reign") in the second stanza of the song. Tabbush Manuscript	I. Cabasso- Nishmat Yosef Hamaoui G. Shrem Recording Moshe Habusha Moshe Dwek Moshe Dwek - Nishmat Moshe Dwek - Qaddish Moshe Dwek - Qaddish	נשמת
Ajam	201.01	165a	את יפה הראיני
Ajam	202	166	מעוז צור	"Maoz Sur Yeshuati" (AJAM, page 166), a piece from the 13th century Eastern Europe, is considered the most famous Jewish hymns for the festival of Hanukkah. The name of the song, meaning "Strong Rock, My Salvation," is a reference to God, and the song, throughout its 6 stanzas (acrostic: מרדכי חזק), recounts the many times that God saved the Jewish people. The hymn retells Jewish history in poetic form and celebrates deliverance from four ancient enemies, Pharaoh, Nebuchadnezzar, Haman, and Antiochus. In the first stanza, it says that God saved us during the times when the enemies are about to slaughter us, and this is when we rededicated the altar, a reference to the festival Hanukkah. The melody of this piece, according to Cantor Birnbaum of Konigsberg, is adapted from the old German folk-song "So weiss ich eins," and has been widely spread among German Jews as early as 1450. It has become tradition to sing the first verse of this song after lighting the Hanukkah candles.	M Kairey G. Shrem Recording Knis Ades- Rau Banim Eliahu Saal- Qaddish Moshe Dwek Moshe Dwek	כתר
Ajam	203	167	שיר אגיד	Alludes to the ten sefirot that God used to create the world. Tabbush Manuscript	Yosef Hamaoui Yosef Hamaoui - Qaddish Y. Bozo G. Shrem G. Shrem Recording Eliahu Saal- Qaddish Moshe Dwek	שמחים
Ajam	204	168	אל בנה יה		Hayim Eliyahou	ממצרים
Ajam	205	168	מלך רחמן	Raphael Tabbush Melekh Rahman (AJAM, page 168), or "Merciful King," is considered the ultimate wedding song. It was composed in Aleppo, circa 1897, by H Raphael Tabbush (d. 1918), for his close student, H Moshe Ashear (d. 1940), in honor of his wedding to Salha, the daughter of Mr Yaaqob Shamah. The acrostic is "Moshe" and names of family members (Moshe, Yaaqob, Shaol, Simha, Shelomo) are alluded to. The melody is from the Arabic song "Doom Ya Zaman." There are three stanzas in this song. The first two stanzas are from the point of view of the community; asking God to save the nation, and also to join in the happiness of the Hatan and Kallah on their wedding day. The third stanza, however, is from the view of the Hatan; asking to be blessed with the Blessing of Abraham. For Shabbat Vayesse, this melody can be applied in the prayers for Nishmat. The pizmon can be associated with this perasha, because we read about Jacob's wedding. Moshe Ashear and Family Manuscript	M Kairey E. Menaged Yosef Hamaoui Fule Yanani SCC Choir G. Shrem Recording Eliahu Saal- Qaddish Charlie Chehebar- Naqdishakh Recording Moshe Habusha Moshe Dwek	נשמת
Ajam	208	169	איברי יאמרו הב	Raphael Tabbush סימן אני נסים Tabbush Manuscript	I. Cabasso- Nishmat G. Shrem G. Shrem I Cabasso- Opening & Nishmat G Shrem- Nishmat Moshe Dwek	נשמת
Ajam	210	170	בעיר חמדה	Raphael Tabbush
Ajam	212	171	מקדש בנה בו	Shabbat Teruma or Vayaqhel. About building of the temple. Tabbush Manuscript	G. Shrem G. Shrem Recording Arabic Moshe Dwek	פזמון
Ajam	214	172	אני לקראת	Raphael Tabbush Engagement or Wedding. Manuscript	Yosef Hamaoui I. Cabasso G. Shrem G. Shrem Recording Eliahu Saal- Qaddish Moshe Dwek Moshe Dwek - Mimisrayim Moshe Dwek - Rau Banim	ממצרים
Ajam	215	173	מקהלות עם	Mordechai Abadi This pizmon (AJAM, page 173), whose opening words translate as "In the assembly of the nation God is blessed," is a popular celebratory song associated with weddings. It is composed by the prominent rabbi, judge, and poet, H Mordekhai Abadi (b. Aleppo, 1826 - 1883), who is the author of "Dibre Mordekhai" (Aleppo, 1873), a collection of sixty nine pizmonim assorted by maqam, as well as "Miqra Qodesh," a collection of Baqashot. This song has four stanzas (acrostic: מ-ר-ד-כי) and a repeating chorus ("Haleluhu Gadeluhu"). The song seems to honor a bridegroom with the first name 'Jacob,' but this name is a metaphor for the entire nation of Israel. The song is an ongoing blessing to this bridegroom (i.e. wealth, honor, and longevity), as well as an ongoing praise to God for His generosity and kindness. The song ends with a remembrance of the strength that Israel had at the exodus from Egypt as well as a blessing for us to merit a future redemption when we will all live in Jerusalem. A Z Idelsohn notes, 1923 British Library Or. 10375	M Kairey G. Shrem Fule Yanani Saul Nobeh Betesh G. Shrem Recording I Cabasso Eliahu Saal- Qaddish Moshe Dwek Moshe Dwek - Naqdishakh	נקדישך
Ajam	216	173	יחיד רם שוכן בשחק		Gabi Falak I Cabasso - Halleluya Moshe Dwek - Halleluya
Ajam	217	174	בקול רנה וצהלה	Raphael Tabbush For a wedding. Same melody of the pizmon "Kabir Koah." Melody that we have for this song is from the notes of Idelsohn, 1923. Tabbush Manuscript A Z Idelsohn notes, 1923	Leslie Grazi M Faiena Recording DMB Wedding G Shrem - Naqdishakh
Ajam	218	174	רוח נכון יה חדש לי	Raphael Tabbush Tabbush Manuscript
Ajam	219	175	אל יוצר העולמות	א''ב Tabbush Manuscript
Ajam	220	175	אל מלא הנחסר	El Male Hanehsar (AJAM, page 175) is a pizmon for the Pesah festival. This song, most probably composed by H Raphael Antebi Tabbush (d. 1918), has the acrostic of God’s name; first the word אהי״ה and then also the name יהו״ה. The song, which starts with “God, who fills the emptiness,” continues to list His attributes and how it relates to the Pesah festival; freeing His nation, settling them, etc. As a result of this kindness, the people give praise to Him (Hallel) and offer him the Pesah sacrifice. The second verse of the song does not allude to Pesah, but rather the day to day life of relying on God; calling out to Him; asking Him not to hold His hand back or delay from performing miracles, because the morning is coming and we, His chosen nation, need help right away. The melody of this song can be applied to El Hahodaot or Rau Banim for services in Maqam AJAM in close proximity to Pesah.	I. Cabasso E. Menaged Fule Yanani G. Shrem Recording	אל ההודאות
Ajam	221	176	אלה אלה הבה	Raphael Tabbush Tabbush Manuscript	G. Shrem Recording Moshe Dwek Moshe Dwek - HM	ה' מלך
Ajam	221.01	176a	סוכה ולולב	Sukkot. There are many melodies to this pizmon; including Maqam Ajam and Saba.	J. Mosseri Recording Recording Iraqi Recording
Ajam	222	177	רוזני חי אתה וגאוני	Raphael Tabbush Tabbush Manuscript
Ajam	223	177	חי ורם חיש לעמך צירם	חי Rast or Ajam. Hamaoui Manuscript Tabbush Manuscript		שמחים
Ajam	224	177	ינון שמו	Raphael Tabbush This pizmon (AJAM, page 177), whose opening words are translated as “It Will Flourish,” is a song that celebrates the beauty of the Torah and the aspirations of the Jewish people. It is most likely composed by the great Jewish poet H Raphael Antebi Tabbush (d. 1918) from Aleppo, Syria. There are 4 stanzas in this song corresponding to the Hebrew name of ‘YisHaq’ (יצחק); which happens to be the author’s middle name and the name of his father. Taken from an Arabic march called “Intiyamo,” this melody can be heard with great enthusiasm when applied to the prayer-piece Shav’at Aniyim in virtually all Syrian Sephardic synagogues throughout the world. The song opens with a reference from Psalms 72:17 about someone named “Yinon,” which in Hebrew is translated as ‘it will flourish.’ According to rabbinic tradition, ‘Yinon’ refers to a future Messianic figure (see end of Piyut “Et Sha’are Rasson”). The author asks, where is Yinon of the Messianic age, and when will God bring the time when the people can rejoice in the Temple? He requests God to return the divine presence to the Temple and to treat the people with the kindness that they yearn for. The third stanza praises God for giving us the Torah; a gift exclusively for the Jewish people for them to both enjoy and live by. The song concludes with a prayer to gather the scattered people from foreign lands, to restore the Beit HaMiqdash as a place of song, and to shower the Jewish people with God’s greatness. Tabbush Manuscript	G. Shrem Yosef Hamaoui I. Cabasso G. Shrem Recording Moshe Dwek Moshe Dwek - SA	שועת עניים
Ajam	225	178	לבית אל אבא בחבה	Raphael Tabbush	DMB D Kassin - EH
Ajam	226	178	אל חי ורם	Raphael Tabbush סימן אני רפאל Tabbush Manuscript
Ajam	227	179	רועה נאמן הוא	Raphael Tabbush The pizmon "Ro'eh Ne'eman Hu" (AJAM, page 179), translated as "Faithful Shepherd Is He," is a song associated with the festival of Shabuot. It is composed by H Rephael Antebi Tabbush (d. Cairo, 1918), and the acrostic of his name, "Raphael," is spelled out in the song's four stanzas. The melody of this pizmon is adapted from "Salam Affandina" (translated as "Salute of our Lord"); a melody composed by Giuseppe Pugioli. This melody is well known because it was Egypt's national anthem from 1871-1958. The theme of the pizmon is about receiving of the Torah and the importance of it. In the last stanza of this pizmon, it says "Learn from it (the Torah) day by day, and all your days, you will find peace." The song concludes by saying that the way of the Torah will "save you from troubles and your words [of prayer] will be listened to by God." According to the Hazzanut notes of H Moshe Ashear, this pizmon is traditionally used as the PIZMON SEFER TORAH on the first day of Shabuot. Tabbush Manuscript	G. Shrem Fule Yanani I. Cabasso - Qaddish G. Shrem Recording I Cabasso Moshe Dwek Moshe Dwek - Qaddish Moshe Dwek - Qaddish	כתר
Ajam	228	179	אל רמה ימינך	Raphael Tabbush Hatan Me'Onah. Tabbush Manuscript	Yom Tob Yanani David Sebi Recording	שועת עניים
Ajam	229	180	אל רם ארנן	Raphael Tabbush Tabbush Manuscript	M Kairey Fule Yanani Recording
Ajam	230	180	ראה ה' כי צר לי	Raphael Tabbush This pizmon (AJAM, page 180), whose first words translate as "Observe, God, For I am in Anguish," is designated for Shabbat Nahamu, which is the Shabbat following Tisha B'Ab. The acrostic of this four stanza piece, רפאל, symbolizes that its author is H Raphael Antebi Tabbush (d. 1918). The theme of the first three stanzas is about how much the author, written in first person, and his people, the Jewish people, have suffered from the enemies rising in destruction and murder, vandalizing the Temple, exiling the people from their place, and leaving the city of Jerusalem 'abandoned like a widow' (a reference from Ekha 1:1). The last stanza, however, concludes on a hopeful note with God speaking back to the author saying: "For the sake of My holy name, I will build for them a house for My dwelling, 'Comfort, O Comfort, My Nation!' (a reference from Isaiah 40:1), I will redeem you! This is the year!" The melody of this song can be applied to Keter (in Musaf).	Fule Yanani	כתר
Ajam	231	181	שמך יתרומם	Raphael Tabbush Hamaoui Manuscript	M Kairey Moshe Diib Laniado Y. Bozo G. Shrem Recording Moshe Dwek Moshe Dwek - HM	ממצרים
Ajam	232	181	צורי גואלי יה	ישראל בר משה Written by R Israel Najara. Attiah Manuscript Yabess Manuscript Mosseri-Kozli Manuscript Mosseri-Kozli Manuscript	I. Dayan Iraqi Recording	נקדישך
Ajam	234	186	מי יספר חסדי האל	Moses Ashear Hedaya. Alludes to the Ten Sefirot that God used to create the world. It's melody is taken from the 1888 Princeton University song called "The Orange and the Blue." Ashear Manuscript Leaflet	I. Cabasso E. Menaged E. Menaged 2 G. Shrem	נשמת
Ajam	235	187	מי זאת הנשקפה	Moses Ashear Its melody is taken from the Neapolitan song "Santa Lucia", by Teodoro Cottrau, Written in honor of the birth of a baby girl. The text begins with a paraphrase of Song of Songs 6:10: "Who is she that shines through like dawn, tired. She is radiant and beautiful, the pleasing daughter of Zion." Written for Hebrat Qadimah which was a Zionistic society as the words of the song clearly indicate and not a community synagogue. Ashear wrote this song before 1928. Ashear Manuscript	I. Cabasso M. Nadaf	שמחים
Ajam	236	188	מרומם על כל רם	Moses Ashear Ashear Manuscript
Ajam	237	188	מתי יפרח עם הנאמן	Moses Ashear Ashear Manuscript	E Mamiye Arabic Arabic
Ajam	238	189	מפעלות אלהים חזו	Moses Ashear Sam Franco. PS 62 song. Ashear Manuscript	Yosef Hamaoui Y Hamaoui - Keter Y Hamaoui- El Hahodaot G. Shrem G. Shrem Recording Moshe Dwek Moshe Dwek - EH Moshe Dwek - Rau Banim	אל ההודאות
Ajam	239	189	מלאכי מרום	Moses Ashear Wedding of Isaac and Fortunee Betesh. German melody. Ashear Manuscript Photograph of Isaac S Betesh and Fortunee Antebi	I. Cabasso I. Cabasso 2 DMB- Wedding of Lauren and Joey Abadi (Sept 2011) Nahari- Shavat I Cabasso- SA	שועת עניים
Ajam	240	190	מה נורא מעשיך	Moses Ashear Sam Franco. Ashear Manuscript	I. Cabasso	אל ההודאות
Ajam	241	191	מקדם אזכיר נפלאות	Moses Ashear Intro music to the next song. Ashear Manuscript	DMB
Ajam	242	191	כל עת אליך	Moses Ashear Naftali Tawil. Arabic is: "Tilet Yamahla Nourha". Ashear Manuscript	I. Cabasso - Semehim Yosef Hamaoui Arabic Y. Bozo G. Shrem Recording I Cabasso- Semehim	שמחים
Ajam	243	193	אני בפי אביע	Moses Ashear Mizrachi. Ashear Manuscript	I. Cabasso - Nishmat G. Shrem	שמחים
Ajam	244	193	בקול רנה גילה וצהלה	Moses Ashear Wedding song. Ashear Manuscript	G. Shrem Moshe Dwek Moshe Dwek
Ajam	245	194	יה שוכני סנה	Moses Ashear Esses. Ashear Manuscript	S. Hassoun Recording
Ajam	246	194	יה שוכן זבול	Moses Ashear Sutton. Ashear Manuscript	I. Cabasso I. Cabasso 2
Ajam	247	195	מה יפית ומה נעמת	Moses Ashear Written for Hebrat Qahal Qadosh Magen David. Tune is "The Star Spangled Banner." Written by Ashear pre 1928.	I. Cabasso
Ajam	248	196	הלל יה עם ישראל	Moses Ashear Hatan Yehezqel Haim Shalom. Tishri 1929. Leaflet
Ajam	249	197	מי ימלל גבורות אל	Moses Ashear Bar Misvah of Bechor Shelomo Schwecky. August 18, 1936. Leaflet	Arabic: Yalli Chagak Elanine
Ajam	250	199	אל מול דביר אשתחוה	Moses Ashear Wedding of Abraham Moshe Cohen; April 2, 1940. Abdel Wahab song is called "Yadi El Na3eem". Leaflet	M. Nadaf M. Nadaf 2 Arabic 1 Recording Recording	קדיש
Ajam	251	200	אתה צורי	Moses Ashear Wedding of Saul Sedaqa Ashkenazi; January 21, 1934. Melody of Syrian National anthem. Leaflet	M. Nadaf
Ajam	252	202	שירו שירה חדשה	Ezekiel Hai Albeg The pizmon "Shiru Shira Hadasha" (AJAM, page 202), translated as "Sing A New Song," is a very unique song in our tradition. The melody of this pizmon is from the 1918 American patriotic song “God Bless America” by Irving Berlin. This pizmon is composed by the master poet, Cantor Ezekiel Hai Albeg (1910-1995), in honor of the spiritual leader, H Mordekhai (Mourad) Tarab Maslaton (Damascus, 1876 - New York, 1959), at the inauguration of Congregation Ahi Ezer (2165 71st Street in Bensonhurst) on Sunday, April 8, 1951 (2 Nisan, 5711). Ahi Ezer is a congregation founded by Jews of Damascus origin. H Mourad Maslaton served as Rabbi and Hazzan Sefer Torah from 1920 until his passing in 1959. In this two stanza song commemorating the inauguration of a new building, we “sing a new song to the One who resides in the heavens” and who “listens to our cries.” We also pray for God to “bless our community (“Qahal”) with long lives.” The use of this melody for their inauguration of their building is a testament to this community's patriotism and their love for America; a country that took them in with open arms and a country that they fought for in World War II. Congregation Ahi Ezer	M. Nadaf
Ajam	253	202	מלכי אתה פודי	Murad Maslaton Bar Misvah of Sion Maslaton.	J. Mosseri G. Shrem I Cabasso - Keter Moshe Dwek	כתר
Ajam	254	203	יאריך ימים על ממלכתו	ישראל בן משה Shabbat Shofetim, because it mentions the blessing of longevity for a new king. Attiah Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript	E. Sayegh E. Menaged E. Menaged 2 M. Nadaf I. Cabasso - Nishmat I. Cabasso - Nishmat 2 Isaac Cabasso- Nishmat- 3 G Shrem- Nishmat	נשמת
Ajam	254.1	203a	רנו שיר הלל	Rabbi Harold Sutton's wedding song. Composed by Rabbi Shimon H Alouf.	Recording Eliahu Saal- Qaddish Yehezqel Sion
Ajam	254.2	203b	שם יה עליך	Written for the Bar Misvah of Joey Sutton, son of Sheffy and Victor Sutton; 1995.	Recording Eliahu Saal- Qaddish Recording
Ajam	254.3	203c	ראו כמה גדולה	Wedding of Bobby (Elliot) and Elaine Dweck; November 1992.	Y Shitrit
Ajam	254.5	204a	יום זה ישיר ירון	Raphael Yair Elnadav Bar Misvah of Morris Mickey Abraham. 1981. Photograph of Morris Mickey Abraham	R. Elnadav
Ajam	254.6	204c	הודו לה' כי טוב	Bar Misvah of Eddie Sitt, grandson of Mr Ralph Tawil. 1982.	Pizmon Moshe Dwek Moshe Dwek - Nishmat
Ajam	254.7	204e	רמ"ח אברי	"The Wheat Song." Bar Misvah of Moe Abraham Tawil (May 23, 1982).	Tawil & Cabasso Saul Nobeh Betesh Recording Eliahu Saal- Qaddish Moshe Dwek
	254.91	203f	Yah Ma Banait	Used for Qaddish by G. Shrem on Shabbat Shirah.	I. Cabasso- Nishmat Arabic Recording I Cabasso - Nishmat (higher pitch)	קדיש
	254.92		מלכי שלח שולטן ונשיא	Moses Ashear Hazzan Zaki Mourad singing EL HOB SULTANO QASI, a dawr in maqam Geharka. Hakham Moshe Ashear used it for Qadish on the 2nd day of Shabou'ot in 1938 & 1940.	play pause Arabic- Z. Mourad	קדיש
	254.93		אנא פדה יה	Melody is a Turkish march. Pizmon is by R Meir Waknin, 1882. Ana Pede Yah (Pizmon from 1882)	play pause E. Sayegh: Haleluyah play pause Moshe Dwek - Halleluya play pause Moshe Dwek - Naqdishakh	הללויה
	254.993		אהלל רפא מכאובי		play pause Y. Bozo
Berakhot	ברכות	531	ברכת קידושין ואירוסין	Wedding Ceremony. Mahzor Aram Soba 1527	Nahari Y Hamaoui
	655	203n	אל חי עיני יה		Recording Recording
	744	577	ישלח משמים נזר זהר וחן
	753	203k	אני אליך איומה	MTabouni	Recording Eliahu Saal- Qaddish
	754	203m	נא שים הודך עלי	YMizrachi	Recording
	798	203g	חביבי אתה ורוחי אתה	MMustacchi	Recording Eliahu Saal- Qaddish Recording
	799	203h	השבת בחרתי לעם	MMustacchi	Recording Recording
	800	203i	מי שם חקר אבי	MMustacchi	Recording Recording
	801	203p	שם יה עליך בר מצוה	YSouneh	Recording
	802	203p	רחם עלי יה אב הרחמן	Moshe Habusha In honor of the Ben Ish Hai.	Recording
	1299		אלי צורי וגואלי קרא דרור אל קהלי	אברהם חזק
	1301		אלי אדיר נא יחיד בנה נא
	1302		אמונות אל עד שחקים	אברהם חזק
	1303		דובר צדק יבא נא	דוד חזק Yabess Manuscript
	1304		דרכי נפשי עוז הללי	דוד חזק
	1305		ירום ויתעלה שמך	ישעיה		נשמת
	1306		מי כמוך אל עושה פלא	משה Shir Ushbaha, 1921	play pause Iraqi- Maqam Ajam
	1307		מעונה אלוהי קדם	משה חזק Yabess Manuscript Shire Zimrah, Algiers, 1889		נקדישך
	1308		מוחץ רופא רפאיני	מרדכי Shire Zimrah, Algiers, 1889		נשמת
	1309		דר בשמי שמי עלייה	דוד חזק
	1310		יום וליל לך אשיחה	יוסף דוד חזק
	1311		יביע אומר אמרותיו	יוסף דוד חזק
	1312		אדיר אתה אדון עולם	אברהם
	1313		אל רם ונישא שוכן עד	אברהם
	1314		יערב מהללי בשפתי רננה	יצחק
	1315		מלך עולם דר מעלה	משה חזק
	1316		אוהב חכמה אב ישמח	אברהם חזק Yabess Manuscript
	1317		ימלא פי שירה בים	ידידיה חזק Yabess Manuscript
	1319		דליני יה מבור שאון	דוד חזק
	1320		אגילה ואשמחה בך	אברהם חזק
	1321		דובר שלום ידו הדה	דוד חזק
	1322		משים למישור כל עקוב	משה
	1323		מהרו כל שרים	משה		שועת עניים
	1324		ממלכות הארץ שירו	משה Yabess Manuscript		אל ההודאות
	1325		מתי יצרי זר לפני יוצרי	משה
	1326		יושב ברומו של עולם	יעקב עבדי חזק
	1327		יה ציץ ויפרח ככוכב יזרח	יוסף
	1328		דר בשמי שמי מרגליתא דלית בה	דוד חזק
	1330		דור ישרים כבירים נאצלים	דוד חזק
	1331		יקר מחרוץ מפז	יוסף דוד
	1332		אב רחמן רחם עלינו	אהרן חזק
	1333		אנא ענה דוד יפה	אברהם
	1334		יראה אל חי שיר שבחי	יוסף דוד חזק
	1335		מלך רם שוכן שחק מהר	מיכאל Yabess Manuscript
	1412	203o	יה הצל יונה מחכה	Hanukkah song. Attiah Manuscript Mosseri-Kozli Manuscript	Recording Recording Recording Eliahu Saal- Qaddish
	2232		ערוך אערוך שיר שבחי	עזרא
	2233		עוטה אור מאיר כשלמה	עזרא
	2234		עושה שמים בתבונה	עזרא
	2282		יום יום אשאל ממך
Haggadah	הגדה	H2	קידוש		H David A Tawil - Qadesh UrHass and Qiddush D Binker-Duek
Haggadah	2302		כי לא נאה		play pause G. Shrem play pause I Cabasso
Haggadah	הגדה	H33	מן המצר	The melody for "Min hamesar" in the Hallel.	G. Shrem- Hallel in Ajam Agudat Dodim (Buenos Aires)- Nahwand Agudat Dodim (Buenos Aires)- Sigah Agudat Dodim (Buenos Aires)- Ajam Moshe Dwek - Semehim	דוגמא
	2451		פדה יה פדה יה
	2453		מי כמוך
	2454		רועי אל רם
	2455		מטל אורך
	2456		רחום לך ארנן	Hamaoui Manuscript
	2458		רוממה רם
	2459		תטהר אל
	2712		אלי צורי וגואלי	Abraham I Antebi אברהם. Composed by H Abraham Antebi (1765-1858), Chief Rabbi of Aleppo from 1817. Pizmon found in "Ohel Yesharim" book from 1843. Abraham Antebi, Ohel Yesharim, 1843
	2713		אבירי לב לי תשמעו	Abraham I Antebi אברהם. Composed by H Abraham Antebi (1765-1858), Chief Rabbi of Aleppo from 1817. Pizmon found in "Ohel Yesharim" book from 1843. Abraham Antebi, Ohel Yesharim, 1843
	2729		לך אל חי יצחק ירנן	"Doulab AJAM"	play pause I Cabasso- EH
	2730		Ahon Aleq (Abdel Wahab)		play pause I Cabasso- Mimisrayim play pause Moshe Dwek - EH play pause Moshe Dwek - Qaddish
	4015	203e	גפני הוא	Moses Ashear	Recording Recording
	4016	203j	ששוני חיש	Raphael Tabbush	Recording Mimisrayim
	4017	203k	אל גלה לי קץ ימין	Haim S Aboud	Recording
	4018	203l	מה נאוו עלי ההרים רגלי	Haim S Aboud	Recording Eliahou Ozen- Shavat Eliahu Saal- Qaddish Moshe Dwek
	4321		ישנתי אז ינוח לי
	4322		אהלל לצור קדושי
	4323		טיר שלם תנה לי
	4324		אקו לאל ואחבהו
	4325		יה אל מלך על מלכים
	4326		ידך גלה אתה צור
	4327		אזנך לי הט
	4328		יה אל רם ונשא
	4329		ילחם לוחמי אל חי בגבורתי
	4330		יה אלי אל גדול שמך
	4331		שמחת גילי גואלי
	4334		יחיש פדותי אל חי
	4796		נהלל בקול זמרה	For a wedding.	play pause E Sayegh
	4797		אלי זרח	Ezekiel Hai Albeg
	4860		כביר כח פתח פינו בשיר	Ashear used this melody a lot for the Qedusha on AJAM days. Nissim Tawil Manuscript	play pause G Shrem- Naqdishakh	נקדישך
	4863		מלך רם ונשגב	MArking The following is a Pizmon written in honor of the wedding of Mary Salem to Victor Dweck that took place on August 27, 2020 (7 Elul 5780) in Farmingdale, NJ. It was written by Morris Arking, Joseph Harari, and Joseph Mosseri. Victor Dweck, son of Eliane and Bobby Dweck, is the Marketing Director of the Sephardic Community Alliance (SCA). The SCA is mentioned in this song. The name of the melody is "Rah Ashghal Fekri" from the Arabic song "Yalli Nawet Teshghelni." Victor Dweck Wedding Song	play pause I Cabasso - Pizmon and EH play pause J Mosseri	אל ההודאות
	4866		טעם המן		play pause Emanuel Kahen - Nishmat play pause Hebrew Pizmon	ממצרים
	4867		מלכי חי רצה בי	H Moshe Ashear Qaddish for Beshalah.	play pause Arabic	קדיש
Ajam	4873		שיר ההודאות	SUHV page 204-G. Pizmon by Dr Albert Matalon in honor of the Hanukkah festival.	play pause Albert Matalon Children
	4876		שאזינון צאדה קלוב		play pause D Binker-Duek- Nishmat	נשמת
	5749		אני לדודי ארנן	Daniel Binker-Duek	play pause D Binker-Duek
	5760		בעדי בנה בית ועדי	Daniel Binker-Duek לחן - בלאדי בלאדי . סימן - אני דניאל
	5761		דברי השירה הזאת לאל	Daniel Binker-Duek לחן - דניאל בינכר דוויק. סימן - דניאל חי חזק ואמץ. שיר לחתן וכלה. לכבוד משה יונה בן דניאל בינכר.
	5765		דרכך זו	Daniel Binker-Duek שיר לעצירת מגיפת הקורונה. לחן - תיקוו. סימן - דניאל	play pause D Binker-Duek play pause D Binker-Duek
	5779		דוד ישרים יבורך	Daniel Binker-Duek לחן - יא די אלנאעים.
	5781		אב הרחמן שמח	Daniel Binker-Duek לחן - אלמעאדי. לחתן.
	5783		שמחו נא	Daniel Binker-Duek לחן - דניאל בינכר.