Hijaz - حجاز

Introduction

Hijaz - חג'אז - refers to Saudi Arabia, which is still known as the Hijaz.

This maqam, which originated in Saudi Arabia, has become linked with death and sad occasions by the Syrian Jews (and not necessarily the remaining non-Jewish Arabic traditions).

According to the Jews of Damascus, the only Shabbat of the year that Hijaz is used is Debarim. According to Gabriel A Shrem, Hijaz in its purest form should only be used for Debarim, and for the rest of the weeks, Hijaz should be mixed with Bayat.

The Jews of Damascus only use Maqam Hijaz for Shabbat Debarim.

Other maqamat in the Hijaz family are: Shahnaz, Suzidil, or Zanjaran.

Hijaz tetrachord: starting on D

Index of Pizmonim

Section	Pizmon	Page	Song	Commentary	Recordings	Application
	105.37		מגיני ראה עני עיניו דימע יזל	ישראל Petiha
Hijaz	565.99	473	פזמונים במקאם חג'אז		Assorted Songs
Hijaz	566	473	אזכיר תהילות	Raphael Tabbush Acrostic (follows the Aleph Bet pattern). Contains the 10 Sefirot. Tabbush Manuscript	David Sebi Y. Bozo	פזמון
Hijaz	567	474	עטרה לישנה יה החזר	Attiah Manuscript Ezra Attia Manuscript Abraham Sitehon Manuscript Shire Zimrah, Algiers, 1889 British Library Or. 10375	Arabic
Hijaz	568	475	היכלי נרמס		Arabic Recording David Masri
Hijaz	570	476	אשאל מאל אב הרחמן	British Library Or. 10375 British Library Or. 10375 - Arabic		נקדישך
Hijaz	573	477	חמלתך שים על עבדך		Arabic Maury Blanco
Hijaz	574	478	רבת שבעה לה נפשי	Raphael Tabbush This pizmon (HIJAZ, page 478), whose opening words are translated as “My Soul is Satiated” (based on a reference from Psalms 123:4), is a song for Yom Kippur. It is composed by the great Aleppian poet, H Raphael Antebi Tabbush, whose first name, ‘Raphael’ (רפאל), forms the acrostic of this 4 stanza rhyming song. The origin of this melody is the Spanish song called “Mis Hermanos” (My Brothers), and it can be applied to Naqdishakh on the morning of Yom Kippur. The theme of this song is about the “Day of Judgment” and the Hebrew word “Dean” (דין), or judgment, is the last word of each stanza. The author opens with an expression of trouble and despair, saying that his soul is filled with the suffering caused by the hands of his adversaries. He asks God for help; asking Him to judge against these adversaries. The author then recognizes that his transgressions are the main causes of his sufferings and then expresses regret about his misdeeds. He ponders to himself “If I don’t observe the commandments of the Torah, how will I come out on the day of judgment?” In the third stanza, the author asks for forgiveness and for his lot to be placed with “good people” or those who are knowledgeable in law. The author concludes by asking God to save him, to satiate him with good (in contrast to the satiation mentioned in the opening stanza), and to judge him favorably, leniently, and with mercy. Tabbush Manuscript	E. Menaged - Qaddish I. Cabasso G. Shrem Recording Recording- Qedusha I Cabasso G Shrem G Shrem Moshe Dwek Moshe Dwek Moshe Dwek - Nishmat Moshe Dwek - Qaddish Moshe Dwek - Qaddish Moshe Dwek	נקדישך
Hijaz	575	479	עזרני אל חי	Raphael Tabbush This pizmon (HIJAZ, page 479), whose title is translated as "Help Me, O' Living God," is a song for the Aseret Yeme Teshuba, also known as the Ten Days of Repentance. This pizmon, composed by Aleppian poet, H Raphael Antebi "Ades" Tabbush, is one of the few Sephardic pizmonim that has managed to penetrate through to the greater Jewish world, especially the Chabad Hasidic sect. This song, whose acrostic is "ADES" (עדס), which is the official family name of H Raphael, has three rhyming stanzas. In this song, the author, H Raphael, asks God to assist him in his struggle against his YeSser HaRa', or evil inclinations, and asks God to assist him to repent for his past misdeeds. "Without you, O'Savior, there is no salvation!" he says. He then continues to say that he merits forgiveness from God, because he has "returned" from his transgressions and he will not continue in his past sinful ways. He concludes to ask God to distance himself from "Hebrat Kat HaSefoni," those who go after their YeSser HaRa' as alluded to in Joel 2:20 (according to Talmudic interpretation). The melody of this pizmon is taken from the Arabic "Ya Fareed El Hosn Ashaq Gamalak,' and it can be transposed to Shav'at Aniyim exactly one day a year, on Yom Kippur alone.	G. Shrem G. Shrem Recording Arabic: Ya Farid G Shrem- including Qaddish G Shrem Moshe Dwek Moshe Dwek - SA Moshe Dwek - SA	שועת עניים
Hijaz	576	479	אב הרחמים
Hijaz	577	480	שלח סגני ידידי	Moses Ashear “Shelah Segani Yedidi” (HIJAZ, page 480), which uses the Arabic melody “Abat Selami Ma’ Sidi,” is composed by H Rephael Tabbush. It has references to Pinehas, the hero who initiates the campaign to avenge God’s honor in Numbers 25. This song is used for the PIZMON SEFER TORAH on Shabbat Pinehas. In this 3 stanza poem, with the acrostic: Shadai (שד״י), we request God “to send a helper” like “the Son of Elazar” (Pinehas) so that “we may bring the tithe (Ma’aser)” to the City (Jerusalem) on the festivals. At times we ask “Why did God leave me?” We are confident, though, that God, “from up above” (north), will send His “right hand” person to “re-establish us,” and “reveal his kindness all around us.” The song concludes with a hope for redemption, with the acknowledgement that I (the author) “am Your servant,” and with the prayer for God to always have mercy on His beloved nation. This melody can fit into Nishmat or El Hahodaot, but it is rarely used, because the "Maqam of the Week" for Shabbat Pinehas is SABA, not HIJAZ. Ashear Manuscript	David Sebi Arabic Recording D Kassin - Nishmat	פזמון
Hijaz	578	480	יה נרי יה		M. Mustachi M. Mustachi 2
Hijaz	579	481	אתה רוממה אתה	Tabbush Manuscript	I. Cabasso I. Cabasso 2	שמחים
Hijaz	580	482	רודף צדק ומשכיל	Raphael Tabbush Shabbat Vayehi. Tabbush Manuscript	I. Cabasso Recording	ממצרים
Hijaz	580.01	482a	יחיד ורם		Recording Isaac Cabasso
Hijaz	581	483	יה אלי נהלל לו	Shabbat Shirah. Found in Pizmonim book of 1856. Attiah Manuscript Abraham Sitehon Manuscript	I. Dayan	שועת עניים
Hijaz	582	483	יחיד נא קבץ לעדה	Raphael Tabbush This pizmon (HIJAZ, page 483), which translates as “Singular One, Please Gather the Congregation,” is a short song of personal petition to God. It’s author is H Raphael Antebi Tabbush and the acrostic of this song is “Raphael” (רפאל). There are four rhyming stanzas in this song, and one repeating chorus. The melody of this pizmon is from the Arabic song “Al Heena Al Heena,” and it can be transposed into the prayer piece EL HAHODAOT on days when the prayers are conducted in Maqam HIJAZ. In the first stanza (ר), the author requests that God satisfy his thirst and provide the blessings of the world to his body and his soul so that he can use these blessings to elevate God’s holy name. In the second verse (פ), the author asks for God to show him the redemption, the gathering of the exiles, and the rebuilding of the Temple; something more valuable than any treasure. In the third stanza (א), the author says that the relationship with God is the light of his eye, and that he awaits the time when God shows His “face”; meaning, a more direct interaction, where God delivers His people from servitude to freedom. The last verse (ל) concludes with words of praise that will be sung in the month of Nissan, the month of our future redemption, when all the redeemed people will show their gratitude for all of God’s kindness. Tabbush Manuscript	M. Nadaf G. Shrem Recording Y Nahari	אל ההודאות
Hijaz	583	484	מהונך תעשר	Tabbush Manuscript	M. Nadaf E. Menaged G. Shrem Recording
Hijaz	584	484	אתוהי כמה רברבין	Raphael Tabbush This pizmon (HIJAZ, page 484), whose title translates as "How Great Are His Signs," is written by H Raphael Tabbush. This song is unique in that it is one of our shortest pizmonim (only 20 words; 10 words in each of the two stanzas), and it is one of the only ones to be written in Aramaic. The melody is from the Arabic song "Ahwa Al-Ghazal Al Rabrabi," and can be transcribed into Nishmat or Naqdishakh. The opening words of this song are based on Daniel 3:33. After seeing how God saves Hanania, Mishael, and Azaria from the burning furnace, Nebuchadnessar praises God, 'How great are His signs! How mighty are His wonders! His kingdom is everlasting, and His dominion is over every generation!' The first stanza describes how God's glory is displayed through His miraculous signs. Although both Israel and the angels sing praises to God, it is Israel that God favors, because according to the Talmud (TB Hullin 91b), the angels only start praising God in the Heavens once Israel initiates the praises down on Earth.	M. Nadaf E. Menaged E. Menaged 2 E. Menaged 3 Recording I Cabasso - Nishmat 1979 Choir Moshe Dwek S Antebi- Shav'at	נשמת
Hijaz	585	485	רוכב עבים ומהלך	Raphael Tabbush This pizmon (HIJAZ, page 485), whose title is translated as "Driver of Clouds," is a song about God's role in controlling nature. This song is composed by H Raphael Antebi Tabbush, and the acrostic "Raphael" is spelled in the song's 4 stanzas. The beginning of the song introduces the concept of God being 'the Driver of clouds' and 'Controller of wind' (see Psalms 104, Isaiah 19:1, and Exodus 15:22); meaning the 'gatekeeper' of most precious resource in the world: rain. With rain, the second stanza says that the desert can bloom, and the land can become paradise (like the Garden of Eden). The words "Masheeb Ruah U'Moreed Gesem," the traditional Jewish prayer for rain, is also alluded to in the second stanza. Acknowledging that God is the master of all nature, the third stanza pleads to the Almighty to use this strength to help and protect the Jewish nation and redeem them so that they will celebrate this in the Temple. The author concludes with a prayer to help renew and invigorate him so that he, too, can partake in the upcoming redemption. The melody of this song can be applied to Shav'at Aniyim on weeks when Maqam HIJAZ is applied, and the song is traditionally sung as the PIZMON SEFER TORAH on the Shemini Asseret festival, because this is the first day of the year that Jews start to pray for rain in the Amida prayer.	E. Menaged G. Shrem Recording I Cabasso H Abraham Zafrani	שועת עניים
Hijaz	586	485	יה גאלי צרים	Tabbush Manuscript	G. Shrem G. Shrem Recording H Abraham Zafrani
Hijaz	587	486	אם חכם לבך בני	Abraham I Antebi The pizmon, "Eem Hakham" (HIJAZ, page 486), is composed by H Abraham Isaac Antebi (1765-1858), the former Chief Rabbi of Aleppo (starting 1817), and composer of many pizmonim. This pizmon is first found in his book "Ohel Yesharim," published in 1843, and has been included in most handwritten manuscripts of this time period. Many of Antebi's books had the word "Ohel" in it, because this Rabbi witnessed a massive earthquake in Aleppo causing most of the city to become refugees and live in tents ("ohel"). The content of this pizmon is a letter from a father to his son (on his wedding day) asking him to follow his advice on how he should live his life and bestowing him with the many blessings of Abraham and Isaac. This father tells his son that while he should always pursue wisdom and sciences, he should always "know" the God of his forefathers. The melody of this pizmon is from the Arabic song "Ya Sukri Yabu il Shemat." This melody can be applied to El Hahodaot on weeks of Maqam HIJAZ. Attiah Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript British Library Or. 10375	G. Shrem Recording Moshe Dwek Moshe Dwek - Nishmat	קדיש
Hijaz	588	487	עליון על כל רמים	Shabbat Hazon. Ezra Attia Manuscript Abraham Sitehon Manuscript	G. Shrem G. Shrem Recording	נשמת
Hijaz	589	488	עליון ונאדר		E. Menaged E. Menaged 2 E. Menaged 3	כתר
Hijaz	590	488	אור הנעלם	א''ב Tabbush Manuscript	E. Menaged Another Recording - Hahodaot G. Shrem I Cabasso- Pizmon & EH	כתר
Hijaz	591	490	שמח נפשי	שלמה חזק This pizmon (HIJAZ, page 490), whose opening words can be translated as “My Soul Will Rejoice,” is one of the most popular pizmonim known in the Syrian Jewish tradition. In Shabbat morning services, whenever its joyous melody is transposed to Mimisrayim, it seems to bring immense happiness to the crowd. The melody of this is from the Arabic song “Qadokh Al Mayas” and over the years, a number of Hebrew pizmonim have been composed to fit into this great melody (i.e. ‘Elekha Kama Besari’ and ‘Niflaot Nissim’ are other Hebrew pizmonim written to the same melody). The Hebrew pizmon “Samah Nafshi” is the version of the song that has survived in part due to its inclusion in the important book “Shir Ushbaha” by H Raphael Cohen (1922). The author of the song is unknown, but the acrostic of the song suggests that it was written either by or in honor of a “Shelomo” (שלמה חזק). In its 5 rhyming stanzas, the author exclaims that his soul will rejoice if the following prayers are answered: solving all troubles of the Jewish people, a returning of Israel to the status it had during the days of King Solomon, the rebuilding of the Temple in Jerusalem as well as the entire Land of Israel, and ultimately, the announcement of a redeemer by Eliahou HaNavi that the Messianic age has arrived.	Fule Yanani E. Menaged Elekha Kamah- E. Menaged G. Shrem Recording I Cabasso- SA Shelomo Tob Cohen Moshe Dwek Moshe Dwek - Mimisrayim	ממצרים
Hijaz	592	490	ראה בחלשי	Raphael Tabbush	E. Menaged
Hijaz	594	492	רנו גילו	Raphael Tabbush This pizmon (HIJAZ, page 492), composed by H Raphael Antebi Tabbush, is a song written for Purim. Unlike other Purim songs, most of which are in Maqam SIGAH, this song is classified as Maqam HIJAZ; a maqam typically reserved for sad occasions. The acrostic of this piece is "Raphael Hazaq," and consists of 5 stanzas; corresponding to the letters of the author's name. Each stanza is followed by the chorus which begins with the words "Zekher Sadiq Yarum Hodo" etc. The song opens on a happy note ("Proclaim joy and rejoice all creations"); calling onto all the creations of the world to recognize the miracle of Purim. The middle of the pizmon is about the hard times and suffering that Haman put the Jews through ("the enemy conspired to be the head"). The last stanza ends on a hopeful note; calling for the Messiah and the rebuilding of the Temple so that we can offer sacrifices again. The melody of this song is applied to either Naqdishakh on Purim or Keter on Shabbat Zakhor. Tabbush Manuscript	E. Menaged Yosef Hamaoui Yosef Hamaoui - Qedusha Fule Yanani Tawil- Qedusha G. Shrem Recording Y Nahari M Kairey Moshe Dwek - Naqdishakh	נקדישך
Hijaz	595	493	בואו נספר	Hoshana Raba. Yabess Manuscript A Z Idelsohn notes, 1923	G. Shrem G. Shrem Recording Moshe Dwek - HM
Hijaz	596	494	מרומי ברך לחברת ק"ק מגן דוד	Moses Ashear This pizmon (HIJAZ, page 494), whose title can be translated as “From Above, Send Blessing to the Group, the Holy Congregation of Magen David,” is a song written in honor of Congregation Magen David of 67th Street in Bensonhurst, Brooklyn. It was composed by the community’s chief cantor, H Moshe Ashear (1877-1940), for the inauguration of the synagogue in December 1921. In addition to the repeating chorus, there are three stanzas to this song, and the acrostic spells out “Moshe Hai” (משה חי). The melody of this song is said to be from an “English opera,” but no definite identification of this melody is known to us. The melody of this song can be transposed into SEMEHIM BESSETAM on days when the services are conducted in Maqam HIJAZ. The content of this song praises the community for their hard work, day and night, especially when taking care of one another. The song blesses the members of this community that God should repay their hard work with success and prosperity. They should be numerous like the stars in the sky, and all groups, from youngest to oldest, should be included in this blessing. In the second stanza, it petitions God to bestow the people with the blessing of the forefathers, redeem them, and “like the times of old, renew their days” (a reference to the closing verses of Megillat Eikha). Just like the waves completely cover and overwhelm the ocean, so too shall peace and happiness completely cover the tents (homes) of all the members of this community. The song concludes by saying that this community, together with the angels, praise God's generosity and proclaim the biblical verse "Barukh Hashem LeOlam," meaning: Blessed be God for all of eternity.	G. Shrem I Cabasso- Nishmat	שמחים
Hijaz	597	495	מושיעי יה	Moses Ashear Ashear Manuscript	Arabic
Hijaz	598	496	יה לגני בא נא יה	Moses Ashear Ashear Manuscript	G. Shrem Isaac Cabasso- Nishmat
Hijaz	599	497	יחלתי צורי לעבדך	Moses Ashear The Arabic is a DOR entitled G'alt Higri. Here it is sung by Mohamed Salim. Ashear Manuscript	Mohamed Salim
Hijaz	600	497	יחיד מלך נאמן	Moses Ashear Wedding. Ashear Manuscript	M. Nadaf M. Nadaf 2	שמחים
Hijaz	602	498	מהר חביבי רחמני	Moses Ashear Ashear Manuscript	G. Shrem Y. Bozo - Different pizmon same tune G. Shrem Arabic: Howa Habibi Yewafaqni Isaac Cabasso I Cabasso- Nishmat Maury Blanco	נשמת
Hijaz	603	499	שיר אל אגידה	Moses Ashear Ashear Manuscript	F Samra Arabic
Hijaz	604	500	אספר שמך	Moses Ashear Ashear Manuscript	G. Shrem
Hijaz	605	501	אל השב	Moses Ashear Same melody as page 491. Ashear Manuscript	E. Menaged- Full Shaharit Isaac Cabasso
Hijaz	605.5	502a	מול אלי וגודלו	NLevy	Saul Nobeh Betesh G. Shrem Recording I Cabasso- Semehim Moshe Dwek Moshe Dwek - EH
Hijaz	606	502a	מרום דר מעונה	Moses Ashear	G. Shrem
Hijaz	607	503	מלכי עזור יה	Moses Ashear	Arabic Maury Blanco
Hijaz	608	503	יאתה לאל הגדלה	Moses Ashear Wedding of Joseph Moshe Ashear. Nisan 1931. Leaflet
Hijaz	609	504	אנא רפא לחבלי	Moses Ashear Wedding of Joseph Moshe Ashear. Nisan 1931. Leaflet
Hijaz	610	506	נדה אני	Moses Ashear Bar Misvah of Shaul Abraham Houssni. January 1938. Leaflet	Arabic G. Shrem S Antebi I Cabasso - Qaddish	קדיש
Hijaz	611	507	עדתך אסף יה אבא	Ezra Mishaniye Bar Misvah of Shaul Sammy Haddad. May 25, 1950. Leaflet	F Samra
Hijaz	611.01	509	אנא אלי נאמן		J. Mosseri Y. Bozo Recording Recording Naftali Tawil- Qedusha I Cabasso- Qaddish Shabetai Laniado- Naqdishakh
Hijaz	611.2	509s	היום עלה לגני		S. Salem S. Salem 2 Y. Bozo Amos Dodi Recording
Hijaz	611.3	509c	כנר על הגג	Melody from Fiddler on the Roof.	J. Mosseri M. Nadaf Moshe Dwek - HM
Hijaz	611.4	509l	יה אוחיל לך		Recording
Hijaz	612	510	אליכם קהל עדה	Aharon Eliahou The theme of this poem (HIJAZ, page 510) is the deaths of Nadab and Abihu, sons of Aharon, who died on Inauguration Day of the Mishkan. The author is H Aharon Eliahou seen by the acrostic is “Aharon Hazaq” (אהרן חזק). There are seven stanzas in the original poem, all ending with the words “Benei Aharon,” with an extra stanza added by H Ezra Hamway (1859-1945), Chief Judge (Ab Beit Din) of Aleppo. The loss of Nadab and Abihu is viewed as a tragedy and this emotional poem is meant to cause us to cry and repent. The Zohar says (Vayiqra; OH, 621), that whoever grieves over these deaths, his sins will be forgiven, and he will not lose a child in his lifetime. In Aleppo custom, this poem appears in "Siddur Beit Kaporet” with instructions of singing this on Yom Kippur morning before the Torah reading. In addition, this melody is applied to "Semehim" on Kippur morning. Although “Ahare Mot” is referred to in this poem, one must refrain from using this melody on Shabbat Ahare Mot. Handwritten Manuscript	G. Shrem Recording Recording- Semehim G Shrem- including Semehim Moshe Dwek - Semehim Moshe Dwek - Semehim	שמחים
Hijaz	612.01	509f	יחיד ורם איובי לכד אולמי	Haim S Aboud Arabic melody is "Ya Atafta."	Y. Bozo Recording D Binker-Duek D Binker-Duek: El Hahodaot	אל ההודאות
Hijaz	612.1		Bilbul Nagah Al LaShata Nil	Popular Arabic melody.	play pause G. Shrem play pause G. Shrem play pause Moshe Dwek - Qaddish play pause Moshe Dwek - Semehim	אל ההודאות
Hijaz	612.2		Konte Fein	Recording of the Great Saleh Abd ElHai singing Konte Fein Wel Hobb Fein, from 1923. The Maqam is Hijazkar. Ashear used for Mosaei Shabbat Hazon.	play pause Arabic play pause Arabic: Konte Fein	קדיש
	656	509h	הוא הדר בשמי רום		Recording
	657	509m	התעלזי כי בא עת	Asher Mizrahi Siman: Asher. Lahan: 'Aziz Dim'i.	Recording
	658	509e	יה לחתן הדור		J. Mosseri Recording M Habusha
	737	509q	האל מלך האל מלך	Shelomo Laniado Or Nahwand.	Recording
	738	509r	חדש כקדם ימינו		Recording
	739	509s	עת דודים כלה בואי לגני	חיים Older manuscripts classify as Maqam Rast.	Recording Recording	שועת עניים
	784	509j	חביב אל מהר		Recording
	785	509p	על לבבי מדרש בית נשיא	MMustacchi In memory of Isaac Fallas (Ben Naomi). BB: 632.	Recording Eliahu Saal- Qaddish Arabic- Alla Babi Waaf Ram Mizrachi- Qaddish
	786	509t	חלף שבוע של ימי החול		Recording
	820	509i	הבט סבל בן מנוח ועניו		Recording
	821	509v	קום עם נחל שוב קום		Recording
	822	509v	אל דגול שמור נא		Recording Recording
	903	144c	חי אל מגנם	Ezekiel Hai Albeg In honor of Nouri Dayan, president of Ahi Ezer.	Recording I Dayan
	924	509f	רדני אויבי		Recording
	925	509g	רם יה חביבי		Recording
	926	509h	למה חביב לי עזב		Recording
	927	509j	חביב אל שוב		Recording
	928	509k	יה רציני רחם עלי יה		Recording
	929	509n	ישראל יצרתי לי	Arabic: Farid Al Mahsan.	Recording
	930	509t	אליך אקרא יה		Recording
	931	509x	אל נתן	MMustacchi Song for Matan Torah.	Recording
	932	509y	קומי שירי ותגילי	MMustacchi M Mustacchi for the birth of his daughter, Naomi.	Recording
	1512		אל חי ראשון והוא אחרון	אבטליון
	1513		דודי לי צרור המור	דוד חזק Shire Zimrah, Algiers, 1889
	1514		אהבת ראשית בכורי	אברהם ששון
	1515		יערה עלינו רוח מרום	ישראל חזק
	1516		יונת חן מר תצרח	ישראל
	1517		אחזה נעימות בית קודשי	אברהם חזק
	1518		נחלה לי אל אברך	נסים
	1519		דום לה׳ והתחולל	דוד חזק
	1520		דעו כי אלוהינו הוא	דוד חזק [Melody also Maqam Bayat].		נשמת
	1521		אגן סהר לבנת ספיר	אברהם
	1522		אבי יבחן עד נצח	אברהם חזק
	1523		יום יום תמיד אליו אוחיל	יעקב		אל ההודאות
	1524		שובי בתולת ישראל	שלמה
	1525		יערב לך ה׳ אלוהינו	יעקב
	1526		יחידה רעייה הוללה	יצחק
	1527		ידיד שור זמנא מטא לך	ידידיה
	1528		אל שמע ניאומי	אברהם
	1529		ינטו צלילי כבודי	ישראל חזק
	1530		דרור יקרא צורי	דוד חזק
	1531		את רעייה נאווה יפה	אברהם
	1532		אל חי מבטחי בחסדיך	אברהם חזק
	1533		שור אלי לחיבת עין	שלום
	1534		איילת שחר חן יעלת	אברהם
	1535		אנצח על נחילות	אברהם
	1537		דין עני אביון יציץ ויפרח	דוד חזק
	1538		רופא חולים רפאל	רפאל Yabess Manuscript
	1540		אייחד רם היכולת
	1541		מגן עזרי ה׳ רועי ואורי	מרדכי
	1542		שוש אשיש במחולת יפתי	שאול חזק Shire Zimrah, Algiers, 1889
	1543		אוהבי אהב אבן הראשה	אברהם
	1544		יושיע עמו מיד צר	יוסף דוד חזק		שמחים
	1545		נפלאותיך אשיחה כי עימך הסליחה	נסים		אל ההודאות
	1546		עזרי עליך נסמכתי מרחם	עזרא עטיה חזק
	1547		אתה אלי צורי משגבי	אברהם חזק
	1548		אהלל אל לשם ולתפארת	אברהם
	1549		אדיר דרכו תמים	אהרן חזק
	1550		דומי נפשי לאלוהים	דניאל חזק
	1551		אעיר רנני לך שוכן עליון	אליעזר
	1552		יושב בשמי אשכול כופר	יוסף דוד חזק
	1553		אהבתך לי מה נפלאתה	אברהם
	1554		יחיד קרן משיחו ירים	ישראל
	1555		אורך ואמיתיך ינחיני	אברהם
	1556		ידודון שנות מעיני
	1557		יודו שמו עושה פלא	יוסף חזק
	1558		אתה מגן בעדי	ידידיה Attiah Manuscript		שמחים
	1559		אהובי מפורש שמו	חיים
	1560		אני בך אעלוזה	אברהם חזק Shire Zimrah, Algiers, 1889
	1561		ישראל חביבי שמע והסכת	ידידיה
	1562		אז ישיר משה אל נאדר אלים
	1563		אבן מאסו ראשי הבונים	אברהם
	1564		יחיד אדוני אדון על כל חי	יצחק חזק		שועת עניים
	1565		אזמרה שמך עליון	אברהם
	1566		אשיר שירים לאל	אברהם חזק	play pause Recording
	1567		אתה הוא ידידי	אברהם חזק
	1568		מלך שמור חתן נעים	מרדכי
	1569		נורא אתה יוצר רוחי	נסים
	1570		שלח לנו משיחינו	שמואל חזק
	1571		יה אשאלה מימך צור	עזרא חזק Shire Zimrah, Algiers, 1889		שועת עניים
	1573		שדי ברך ארוס נעים	שמואל חזק		שועת עניים
	1574		ישא הוד לי	ישועה ששון
	1575		אבינו אב הרחמן קרב לי את זמן	אברהם חזק
	1576		יוצר את הכל מחולל כל	יצחק חזק
	1577		אן לי בלתיך מי לי	חיים
	1579		משך חכמה מפנינים	מרדכי
	1580		ממיך אלי ישועתי	מיכאל
	1581		אערוך מהלל ניבי	אנכי דוד בן אהרון בן חסין חזק
	1582		אבקת רוכל אשכול כופר	אברהם חזק [Maqam Hijaz and Iraq]
	1583		אב החמולי אל שמחת גילי	אברהם		נקדישך
	1584		דורך בים אוני	דוד חזק
	1585		יום יום אגיד פלאיך	יוסף דוד חזק
	1586		דרשתי אל בכל לבי	דוד חזק
	1587		דודיך נזכירה מיין	דוד חזק
	1588		דל דר מרומים	דוד חזק
	1589		דבש וצוף אמרי נועם	דוד חזק
	1590		אל מאיר נירי ישעי ואורי	אברהם		נקדישך
	1591		יהמה לבי בתוך קרבי	יצחק דבח
	1592		אליך תערוג נפשי	אברהם
	1594		שוכן עלייה חביבי	שלמה חזק
	1595		אנסבה לו בשמחה	אברהם
	1596		אשיש כגיבור לרוץ	אברהם
	1597		לך אני מלך נורא אשיר	משה חזק
	1598		יראנו נפלאות כקדם נוראות	Abraham Sitehon Manuscript
	1599		את שאהבה נפשי	אברהם Hoseni or Hijaz.
	1600		ידיד צח ואדום חובב	ידידיה חזק
	1601		יהמו נא רחמיך רחם אל	יוסף חזק
	1602		שמך אלי רם תרומם	שמואל		ממצרים
	1603		יוצר כל ממציא יש מאין	ידידיה חזק
	1604		אל הנקדש בשיר חדש	אברהם חזק
	1605		אבי סוכו אלף המגן	אברהם
	1606		ישעי מנוסי אתה ניסי	ישראל Hijaz, Saba, Sigah.
	1607		אות לטובה עשה	אהרן כוהן
	1608		אב הרחמן קרב זמן	אהרן
	1609		עד מתי עוזך בשבייה	עזרא חזק
	1610		אל נווה איתן ישיב צור	אברהם Hijaz. Sigah.
	1611		יונה תכסוף אל צורה	ישראל
	1612		יה עבדך אנא	ישראל
	2109		ירחיק נדוד דוד נעמן	ישראל	play pause G. Shrem play pause Recording- Mimisrayim play pause Moshe Dwek - Mimisrayim	ממצרים
	2114		שיך סלאמה חג'אזי		play pause I. Cabasso - Qedousha play pause Tawil- Qedousha play pause J. Mosseri - Qaddish	נקדישך
	2275		על מה אל נטשתני	עזרא
	2277		עוז לי תן	עזרא
	2278		עליון מוחץ ורופא	עזרא
	2279		עליון ונורא נאזר בגבורה	עזרא
	2280		עזרתי ומפלטי לי	עזרא
	2400		קינות לתשעה באב	Qinot (sad poems) for Tisha Bab.	play pause I. Tawil play pause Tisha Bab Arbit- Hathaway 2016 play pause Tisha Bab Shaharit- Hathaway 2016 play pause Antebi- Qinot- 2017 play pause Qinot- Pasha- Mexico- 2017
	2449		דיין האמת	Argentina book page 440. Shaare Zimra, Argentina
	2648		יזכור לעולם	British Library Or. 10375
	2649		אחזה נעימות	Abraham I Antebi אברהם. Composed by H Abraham Antebi (1765-1858), Chief Rabbi of Aleppo from 1817. Pizmon found in "Ohel Yesharim" book from 1843.
	2650		אתה ידידי
	2651		ידידי מן חסדך
	2652		אור חסדך עבדך בו ינוח	סימן אברהם		נשמת
	2653		אל אתה חדש לי	Shir Ushbaha, 1921	play pause Moshe Diib Laniado play pause M Blanco
	2655		אדיר נשגב
	2656		רם נורא
	2657		דלה לי חכמה		play pause Arabic	קדיש
	2658		רדפוני זרים
	2659		חמלתך
	2660		עזרני יה
	2661		יבא דוד
	2662		ראש לכל
	2663		יחיד רם
	2664		חיש קץ עליון ונאדר
	2666		יוצרי מהר
	2667		מלך אל חי
	2668		ראה עוני
	2669		רוממות אל
	2670		שוש אשיש	Shir Ushbaha, 1921
	2671		מתי אומר
	2672		לך אזעק בלב נשבר		play pause D Binker-Duek- Naqdishakh
	2673		רם בנה מקדשך	Shir Ushbaha, 1921 A Z Idelsohn notes, 1923	play pause M Faiena play pause DMB - Pizmon & SA
	2674		פדה לעם
	2675		בא עת
	2676		שופט צדק
	2677		יחיד ורם אויבי
	2678		רם יה חביב תרחם
	2679		כנור נעים עם נבל
	2680		אה אה אנא שוב
	2681		יוצר יה אל פדיני
	2682		רם לעלמיא
	2683		יחיד ורם לעמך תאיר
	2709		אל טוב וסלח אשם לי	Abraham I Antebi אברהם. Composed by H Abraham Antebi (1765-1858), Chief Rabbi of Aleppo from 1817. Pizmon found in "Ohel Yesharim" book from 1843.
	4039	509n	אל גליל אל גליל	YSouneh	Recording Moshe Dwek Moshe Dwek - Qaddish
	4040	509q	יודו שמך רב עלילה	יוסף דוד חזק Yabess Manuscript British Library Or. 10375	Recording Recording- Qaddish Pizmon	נשמת
	4092		אברהם אבינו	Old Sephardic (Ladino) song.	play pause Eliahou Ozen- Shavat	שועת עניים
	4093		ירד דודי לגנו	Israel Najara To the Hebrew song "Ess HaRimon" (עץ הרימון).	play pause Eliahou Ozen- Nishmat play pause Moshe Dwek - Haleluya play pause I Cabasso - Qaddish	נקדישך
	4460		אהלל שמך אלי כביר
	4461		אראנו נפלאות כן אמרת
	4462		ראה עניי וחלצני
	4463		אודך אל יוצרי
	4464		יהודה פי בהגיוני
	4465		מכל פשעי הצילני
	4466		יה מזבולי הר ציון
	4467		יעלת החן בת היפה
	4468		אל תן חבלי יה
	4471		כזרם כביר שער קטב
	4473		שמעה תפילתי ה׳
	4474		יה סלח לחטאתי
	4811		לך אני אבי	Ezekiel Hai Albeg Same melody as "Nada Ani" on page 506.
	4812		רננו גדלו ושירים מללו	Ezekiel Hai Albeg In honor of Charlie Manopola; very involved in perpetuating Albeg's pizmonim. Same tune as "Mul Eli Vegodlo" on page 502a.
	4859		El Leil Yetawil Alayah	This is a song from Abdel Wahab. Using this for Nishmat on Yom Kippur was an innovation of the Tawil brothers.	play pause I Cabasso- Nishmat (Nahwand) play pause Nahari- Nishmat	נשמת
	4975		דיין האמת אין בילעדך	Shaare Zimra, Argentina book page 440. Funeral.
	4976		מה אני אשיב לו	דוד בוזלי Shaare Zimra, Argentina book page 433. Shaare Zimra, Argentina
	4977		אוחיל לך רם	אברהם קוץ Shaare Zimra, Argentina book page 431. Shaare Zimra, Argentina
	5742		דל עוזר	Daniel Binker-Duek	play pause D Binker-Duek
	5762		אוחיל דודי לעמי	Daniel Binker-Duek לחן - אלחלוה די. סימן - דניאל חזק אמץ	play pause D Binker-Duek - Shavat Aniyim	שועת עניים
	5776		דור ודור	Daniel Binker-Duek לחן - סמאעי טאתיוס חג'אז כאר כורד.
	5788		דוד יפה לאויבי	Daniel Binker-Duek לחן- דור: כנת פין. Arabic melody of Konte Fein.	play pause Arabic	קדיש